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Guilty View 41 Products Lamb Of God View 38 Products Requiem View 27 Products Agnus Dei (Lamb Of God) View 21 Products Lamb Of God (Redeemer Of The World) View 21 Products Lamb Of God, I Come View 13 Products Pathetic View 6 Products Laid To Rest View 6 Products To The End View 6 Products Invictus View 4 Products O Lamb Of God Most Holy View 4 Products Redneck View 3 Products Lamb Of God (Verdi-Requiem) View 3 Products Ashes Of The Wake View 2 Products Blood Of The Scribe View 2 Products Foot To The Throat View 2 Products Again We Rise View 2 Products Descending View 2 Products More Time To Kill View 2 Products Beating On Death's Door View 2 Products Blacken The Cursed Sun View 2 Products Hourglass View 2 Products Desolation View 2 Products Behold The Lamb Of God View 1 Product

The Musical Adventures of Flat Stanley Jr. - Broadway Junior | Hal Leonard Menu LEARN MORE About Broadway Junior What Comes With the Showkit®? How to License a Broadway Junior Musical Order an Audio Sampler Frequently Asked Questions 60-Min.ute Musicals [JR.] 60-Minute Musicals 13 Jr. Alice In Wonderland Jr. (Disney) Aladdin Jr. (Disney) Annie Jr. Beauty and the Beast Jr. (Disney) The Big One-Oh! Jr. Bugsy Malone Jr. Chitty Chitty Bang Bang Jr. Dear Edwina Jr. Doctor Dolittle Jr. Dot & The Kangaroo Jr. The Drowsy Chaperone Jr. Elf The Musical Jr. Fame Jr. Fiddler on the Roof Jr. Finding Nemo Jr. (Disney) Finian's Rainbow Jr. Flat Stanley Jr. Frozen Jr. (Disney) A Ghost Tale for Mr. Dickens Jr. (Magic Tree House) Godspell Jr. Guys and Dolls Jr. Hairspray Jr. High School Musical Jr. (Disney) Honk! Jr. Into the Woods Jr. James and the Giant Peach Jr. (Roald Dahl) Junie B. Jones Jr. Legally Blonde Jr. The Lion King Jr. (Disney) The Little Mermaid Jr. (Disney) Madagascar - A Musical Adventure Jr. Mary Poppins Jr. (Disney/Cameron Mackintosh) Matilda Jr. (Roald Dahl) Mean Girls Jr. Moana Jr. (Disney) The Music Man Jr. My Son Pinocchio Jr. (Disney) Newsies Jr. (Disney) Oliver! Jr. Once on This Island Jr. Peter Pan Jr. (Broadway) The Phantom Tollbooth Jr. The Pirates of Penzance Jr. Rudolph The Red-Nosed Reindeer Jr. Schoolhouse Rock Live! Jr. Seussical Jr. Shrek Jr. Singin' In The Rain Jr. Sister Act Jr. Thoroughly Modern Millie Jr. Willy Wonka Jr. (Roald Dahl) Xanadu Jr. 30-Min.ute Musicals [KIDS] 30-Minute Musicals 101 Dalmatians KIDS (Disney) Aladdin KIDS (Disney) Annie KIDS Aristocats KIDS (Disney) Dinosaurs Before Dark KIDS (Magic Tree House) Finding Nemo KIDS (Disney) Frozen KIDS (Disney) The Jungle Book KIDS (Disney) The Knight at Dawn KIDS (Magic Tree House) The Lion King KIDS (Disney) The Music Man KIDS Pirates Past Noon KIDS (Magic Tree House) Seussical KIDS Willy Wonka KIDS (Roald Dahl) Winnie the Pooh KIDS (Disney) A Year with Frog and Toad KIDS Product Information Musical Numbers Cast of Characters Credits Book by Timothy Allen McDonald Music and Lyrics by Timothy Allen McDonald, David Weinstein, Jonathan K. Waller and Stephen Gabriel Based on the book Flat Stanley by Jeff Brown Illustrated by Scott Nash Overview / Synopsis Flat Stanley,the beloved children's book written by Jeff Brown in 1964 has become a literary and pop cultural phenomenon - delighting readers and travelers all around the world. And now, MTI has taken everyone's favorite two-dimensional hero and given him a new life on the stage.The Musical Adventures of Flat Stanley JR. - the newest addition to the MTI Broadway Junior Collection is now available for licensing. This means, you can bring the entire Lambchop family to YOUR stage! Stanley Lambchop is your ordinary, every day, run-of-the-mill ten-year-old: normal mom and dad, normal little brother, normal life. That's just the problem...for Stanley, life is too normal. He wants to travel the world, do something amazing, something no one's ever seen before. Careful what you wish for, Stanley! One night, the bulletin board on the wall above Stanley's bed comes loose and falls - right on top of Stanley! The next morning, Stanley Lambchop wakes up flat. Not just a little flat...really, REALLY flat! In a whirlwind musical travelogue, Stanley - the ultimate exchange student - scours the globe for a solution to his unusual problem. He's stamped, posted and cancelled from Washington D.C. to France to Honolulu and beyond. And whether he's rapping with the Declaration of Independence, thwarting a robbery at the Louvre Museum in Paris, or 'hanging ten' off the coast of Hawaii, Stanley is closing in on his goal of being a three-dimensional boy once more. Audio Sampler - HL08753333 $10.00 ShowKit - HL09971226 $695.00 This ShowKit includes: 30 Actor's Scripts Piano/Vocal Score Director's Guide 2 Performance/Accompaniment CDs Choreography DVD Media Disc 30 Family Matters Booklets 60-Minute JR. Request Individual Components 09971227 - Piano/Vocal Score $40.00 09971228 - Director's Guide $100.00 09971229 - Actor's Scripts $10.00 09971232 - Actor's Scripts 10 Pak $75.00 09971230 - Performance/Accompaniment CD $75.00 09971231 - Choreography DVD $50.00 09971234 - Student Rehearsal CD $10.00 09971235 - Student Rehearsal CD 20 Pak $100.00 09971529 - Media Disc $10.00 08753333 - Audio Sampler $10.00 Hear A Sample MUSICAL NUMBERS Meet the Lambchops Bedtime Story Lambchop Lullaby I Wish I Were (Part 1) I Wish I Were (Part 2) Magic Music Stanley's Wish Flatcakes for Breakfast My Child is Flat Doctor Dan Stanley's Exam The Funny Side In a Tree Travelin' Through the Mail Talent Arthur's Lettter Can-Can Capture Mom and Dad's Letter Kiki and Herb Surfin' the Mail Stanley's Not Flat Anymore! Stanley A boy. Arthur Stanley's little brother. Mr. Lambchop Stanley's dad. Mrs. Lambchop Stanley's mom. Caleb Slumber party guest. Jacob Slumber party guest. Cousin Sophie Slumber party guest. Bulletin Board A bulletin board. Mrs. Catero A postwoman. Doctor Dan A hard of hearing, overworked Doctor. Nurse Betty Long-suffering assistant to Doctor Dan. Cool Kids The kids who fly Stanley like a kite. King of the Cool Kids The ringleader of the cool kids. Birds Stanley's singing bird friends in a tree. Crowd A large group of people who see Stanley off. Hollywood Agent A slick, old style agent. Hollywood Assistants Assistants to the agent. Passerby / Wannabes Various folks who live in Los Angeles. Samantha Stanley's friend who moved to Los Angeles. O. Jay D'Art A curator for the Louvre. Mona Lisa Leonardo da Vinci's painting. Napolean Jacques Louis David's painting. Sneak Thief A world-class art burglar. Herb Wavecrest An entertainment reporter. Kiki An entertainment reporter. Assistant Director Assistant director on Stanley's movie. Bikini Wahini Stanley's co-star. Go-Go Dancers Extras in Stanley's movie.

Benjamin Britten Article | Hal Leonard Distributed by Britten Home YouTube Festival Biography Choral Publications Article: Explore the Choral Music of Benjamin Britten by Paul Spicer Benjamin Britten (1913-1976) was a unique force in British music. Of the fine composers among his contemporaries, none wrote such a wide variety of music across such a broad spectrum of genres and for such a range of ages and abilities. In many ways, though he might have been surprised by the comparison, he was the natural successor to Vaughan Williams, whose instincts for community and the nurture of amateur musicians brought him an almost cult-like status in Britain. Britten did not devote himself so wholeheartedly to these things, but a sizeable proportion of his choral music is easily within the reach of a good ordinary choir, another part is well within the grasp of a reasonable church choir, and there is, of course, all the music he wrote specifically for children. Among the 60 or so non-operatic choral works there are also works which are exceptionally demanding and perhaps best left to professionals and outstanding amateurs. The range of this output and the frequency of performance of the better-known works underline Britten's ubiquity in the world of choral singing, not just in the English-speaking community but far beyond. As with many composers who have devoted themselves to writing a large corpus of music for one particular genre, Britten has suffered from being too well-known for a few familiar pieces. Rejoice in the Lamb, A Ceremony of Carols, Hymn to the Virgin, Hymn to St Cecilia, Jubilate Deo in C and others have tended to obscure the fuller picture of Britten's choral output and, if nothing else, I hope that choral directors will look beyond their favourites and explore the rich variety of music which is still almost undiscovered. Schools, or choirs of upper or lower voices, will find music here of wonderful quality which rarely sees the light of day. Similarly, there is a genuine mix of sacred and secular and some useful blurring of the edges where words can be equally appropriate in either context. I hope that the corresponding online guide will also be of real practical help to those who aim to build programmes which may be structured in specific ways - thematically, by voice type, by religious or non-religious setting, or by the balancing of a well-known piece by a less-familiar or almost unknown work. It is a spirit of discovery and adventure which should fire the imagination, and it is a love of all this music which has inspired the commentary writing. Britten was a practical composer. He knew that the music he wrote was performable because he himself was an accomplished professional musician. This is, again, where the Vaughan Williams analogy holds true. To be there, in among those doing the singing, directing the performance, advising other conductors and acquiring great expertise and experience over a creative lifetime, gave him an unusual insight into what choirs enjoy singing. He discovered what levels were attainable by different types of group, and did much to encourage that sense of ambition which has led to a genuine rise in the quality of amateur choral music-making. Britten was also a practical composer because he gave his performers all the information they need to deliver a convincing and 'authentic' performance - his scores have clear and unambiguous performance directions throughout. He is known to have remarked that, if musicians follow his instructions to the letter (and can play or sing the notes in an accurate and musical fashion), they will give a performance of which the composer would approve. So the principal instruction to choral directors is to prepare the score thoroughly prior to embarking on rehearsals. Read the words in order to understand Britten's setting of them, and mark, learn and inwardly digest Britten's clear instructions about speed, dynamics, phrasing, and, often most importantly, articulation. The mood of a piece so often comes from the composer's approach to the text. Britten tended to choose texts which were not widely set by other composers. But to compare, for instance, his two connected settings of Gerard Manley Hopkins' "God's Grandeur" in A.M.D.G. and "The World of the Spirit" with Kenneth Leighton's version is to clearly demonstrate the point. No two responses could be more different and yet each excitingly shows the composer's individual reaction to the poem. To examine Britten's popular Jubilate Deo in C alongside Howells' Collegium Regale setting of the same words written some fifteen years earlier is, again, to emphasize how their idiomatic interpretations of the text helped shape each piece. Britten's style grew out of the English choral tradition he knew so well. He had not been a cathedral chorister but had boarded at Gresham's School from the age of 14. There he was exposed to the standard repertoire of the Anglican Church and his earliest well-known piece, "A Hymn to the Virgin," was written when he was only 16 and still a schoolboy. It unequivocally shows his feeling for the beauty and potential of choral sound, so it is no wonder that such precocious talent should develop to the extent it did. While there are pieces from his output which are more stylistically searching, this early gem sets the scene for a choral output that is essentially approachable, tonal, lyrical, and pleasing to both performer and listener. It is a remarkable legacy.

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